PAUL �SEIJI� DOLBY is a member of the broken beat super group BUGZ IN THE ATTIC, to which other such illustrious names such as DAZ-I-KUE, ORIN �AFRONAUGHT� WALTERS, KAIDI TATHAM or ALEX PHOUNTZI also belong. Since the 1990s this eight piece collective have built themselves an incomparable profile. Last year their major label debut album Back In The Doghouse was released, with which the BUGZ seem to have, through V2 Records, once and for all conquered the club world. In this success story SEIJI comes through with a very special prominence: BASEMENT JAXX, QUANTIC, IZZI DUNN, MICATONE and MARK DE CLIVE-LOWE are just some of the people who have asked him to remix their tracks. At the moment SEIJI is working on the next step in his career: in a way following in the footsteps of MATTHEW HERBERT he is producing tracks for the incomparable MOLOKO singer R+IS-N MURPHY. Despite all these various commitments SEIJI still found the time to make his skills available for a new project; with Seiji DJ Tools a brand new Sonar Kollektiv series is introduced, which places the focus not on artist albums but rather on functional music of a very high quality. It�s about a contemporary form of a library, about music that is produced and written (with a view to a very particular range of use). Seiji has created an album of two to three minute long, lovingly arranged club miniatures which any DJ can use within a set to allow changes in direction and breaks which don’t just sound like a complete change of tack. With a hint of grime, broken beat, hip hop, 80s funk, but also easy listening, its most clear that fast paced, tight breaks dominate � plus typical BUGZ ingredients such as square wave synths and the infamously fat bass lines. These sounds would suit DJ sets from broken beat through to drum & bass and on to electro! Whether, as in this case, DJ Tools, or radio jingles or soundtrack music, the tools series is also a creative playing field for well known producers.

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