IT AIN'T OVER

[Kurse]

Scenario: The Police are banging at the door because of a frantic phone call they recieved from your lying, cheating, now-dead girlfriend laying on the bathroom floor. They're seconds from breaking the door down and you want to write down your side of the story, just incase the situation should escalate more...that way it pieces together how this whole mess came to be. Only question remains...when the law does get through, are you leaving with them dead or alive!? Love sometimes makes us do stupid things...here's my story...
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"IT AIN'T OVER"
Kurse
Album: Insomnia
Written By: R. Bueno
Mixed By: R. Bueno
Produced By: Slantize
Recorded @ D-Lab 21 in Lombard, IL
Anger Manij'ment Entertainment Inc.
Shadowville Productions
All Rights Reserved 2008 ©

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[HKX]

lol da whole thing is krazy dawg i remember hearin dis da other day when i got a sneak peak of it lol nigga u krazy hahaha u killer u killed her lol see how dat rhymed haha pinche asesino

[Lawgix]

looooove this track man... like the feel of it... love the topic... its pimpin!!! lol

[Glamtrash]

First of all, lemme just say that I love the beat on this track.

The intro could be a little more convincing. I mean, dude sounds like this little five-foot five blond haired private school principal trying to get the kid that locked himself in the bathroom to come out.

The first verse is aright. Sets the story up well.
Before you go, tell me how it's my fault you're cheatin
Perfect way to end the verse. Also, do you have a cold? Because there's a bar in there where you sound like you're plugged up.

I don't like the chorus. That doesn't necessarily mean that there's anything wrong with it, I'm just not a big fan of anything that gets repeated a lot. But the words themselves are good. Does that make sense? (Haha I have a bitch of a cold myself and I'm on a lot of medication).

Verse two bothers me a little. You know how I said the story was set up well in verse one? Well verse two kind of shatters that, because you act as though you're writing this letter to the proverbial her, yet "she" is already dead. Unless of course you started writing a dialogue, but I think this would take too much time if the cops are at your door.


Halfway through verse three you change back from "you" to "she".


That said, the beat and the way you deliver it make up for all this little technical shit. It's got play value, and although it's not my favourite from you, I still give it a 7/10.